Answer: Manet's undressed is more angular and flattened, while Titian's is rounder and softer looking.
Explanation:
The painting diverges from the hypothetical canon in its vogue, designated by widespread, instantaneous brushstrokes, atelier flashing that excretes mid-tones, deep color coverings, and slight depth. Unlike the even idealized undressed of Alexandre Cabanel's La Naissance de Vénus, including pictured in 1863, Olympia is a true woman whose nakedness is highlighted by the severe lighting. The canvas alone is 51.4 x 74.8 inches, which is slightly wide for this genre-style art. Most compositions that were this size represented traditional or imaginary issues, so the scope of the work, with other circumstances, occasioned astonishment. Eventually, Olympia is reasonably flat by the aesthetic figures of the time and her comparatively unactualized body is more naive than womanly. Charles Baudelaire considered lightness more immoral than obesity.
