Musical nationalism was the nineteenth-century musical movement that featured distinctive cultural and political themes that were often based on regional folk songs and dance melodies.
Musicians who use folk tunes and melodies, regional or ethnic rhythms, or harmonies that are influenced by them are said to practice musical nationalism.
Nationalism as a musical movement first appeared in the early 19th century in connection with political independence movements. It was characterized by an emphasis on national musical elements, such as the use of folk songs, dances, or rhythms, or the adoption of nationalist themes for operas, symphonic poems, or other forms of music.
As new nations emerged in Europe, nationalism in music emerged as a response to the dominant nature of the mainstream European classical heritage as composers began to deviate from the norms established by Italian, French, and German traditionalists.
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